Beethoven Oaks in “Strokes of Genius,” at the Maryland Federation of Art

Unlikely Dance: Beethoven Oaks - 30 x 48 in., oils on canvas
Unlikely Dance: Beethoven Oaks – 30 x 48 in., oils on canvas

Sweetie and I shipped off this 30 x 48 in. painting today, via UPS and bound for the Maryland Federation of Art’s Circle Gallery in Annapolis, Maryland. Sweetie designed and built the 40-pound crate, and it was perfect — made to UPS and Circle Gallery specifications, puncture-proof, and designed to keep the painting from moving or directly contacting the crate. The shipping cost was surprisingly low.

If my hard drive hadn’t gone belly-up a month ago, I could quote from the acceptance email that said how many hundreds of artists submitted work for this show, but it was several hundred and Beethoven Oaks was one of 68 selected, so I’m thrilled. We have friends and family in the DC area, so we’ll make a pleasure trip around the opening reception in November. Funny thing, though — someone sent Sweetie a link to the show’s Call for Artists, to pass on to me… and we can’t remember who it was. Some messenger of the gods…

And while we were at UPS, we met a re-emerging artist, the woman behind the counter in the shipping office, who’d like to take my painting class. You just never know.

“Entry Hall” progress, and two new landscapes

Unlikely Dance: Entry Hall no. 11
Unlikely Dance: Entry Hall no. 11 (unfinished) – 30 x 48 in., oils on canvas

I’ve realized, in looking at my schedule for the summer, that because of the Unlikely Dance series I have very few new small pieces to show. And getting so mentally tangled up in Unlikely Dance is not really good for either the work or me. So I’ve started two small (20 x 16 in.) landscapes, and am working them in around Entry Hall. It’s proven great for the large piece — taking a couple of days’ break from it gave me a new outlook, and I made a lot of progress when I got back into it. And I’ve found a new model reference for face #1 (L-R), which just wasn’t working. I’m just waiting for the overpainting to dry. I think two or three more work sessions should see it finished.

River Willows 03, unfinished, 20 x 16 in., oils on canvas
River Willows no. 03, unfinished, 20 x 16 in., oils on canvas
During drying times I’ve gotten both small landscapes underpainted, and am nearly finished blocking in first colors on the first one, River Willows. It’s referenced from a series of photos I took last spring, along the Susquehanna River around Endicott, NY.

I also have a new taboret and palette! My husband is doing a complete renovation of our kitchen (his wonderful food and cooking blog is Dinner at Leo’s), and he no longer needs either the small pantry drawer unit or the wire kitchen cart so I’ve taken them over, and added a 12 x 18 in. cheap metal picture frame on the top for a palette. The glass in the frame makes the easily-cleaned palette, and I put light grey paper under the glass for a neutral colored mixing surface. The wheeled cart is so much easier than the previous small shelf unit to move from one painting to another. Very pleased!

My new taboret and palette
My new taboret and palette: the diagonal rod across the drawer unit is the leg of my folding easel.


The “Unlikely Dance” project was made possible by a grant from the Artists Fund of the Community Foundation for South Central New York

To follow my progress in Unlikely Dance, just click on the “Unlikely Dance” link under TOPICS, on the left of any page in this blog.