River Watcher

River Watcher
River Watcher: oil on canvas, 40 x 30 in.

I worked on River Watcher and Night Watcher (see the previous post) concurrently, switching off as one dried enough to work on, and then the other did. Each time I switched – rolling my taboret cart from one to the other, shifting the left-hand easel (River Watcher) to fit the taboret between or beside each piece – it was emotionally difficult to leave the one I was quitting. But I’d gamely work into the current piece, and eventually be reluctant to leave that one! Guess I’m a bit obsessive.

GreenBoat Studio
Working concurrently in GreenBoat Studio

I have a penchant for the 19th-century visual sense, both the popular esthetic and the experimental high art of the time, and it’s showing more and more in my painting. Maybe it’s hokey, but it’s me – at least for the time being. The figure in River Watcher is from the same photo shoot, same cemetery in Manchester, NH, as the one in Night Watcher – another muse-like beauty. She’s placed beside the Susquehanna River in Endicott, NY.

This is the first piece I’ve done, since childhood, which features an expanse of water, and I’m quite pleased with it. A lot of the underpainting is left to show, and I like the resulting depth.

River Watcher presented more challenges than the previous piece, as you can see in the progression below.

Click in any of the tiled photos below, to switch to a slide show of progressives. To exit the slide show, click the small X in the upper left corner.

 

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Solstice and the holidays coming ’round again

YuleDoor_1000cprt

We’re into the dark and dismal days of winter — particularly grey in my area of New York State — and I’m pining for the light.

Every year I go into conniptions about our Yuletide card — what medium? What subject? — and my sweetie has to remind me that it’s not of earth-shaking importance. This year I really wanted to do a nice holiday still life in oils, but managed to agonize about it for too long (with four separate compositions, none of which was QUITE perfect) and ended up doing this perfectly fine colored pencil piece of our front door.

In the meantime, my cards and earrings are once again for sale at Old Barn Hollow Market, but through missed communications I didn’t make it into Cooperative Gallery 213‘s holiday members’ show. Disappointing, for sure.

OldBarnHollow_cards
GreenBoat Studio holiday cards, available at Old Barn Hollow Market.

However, I have just sent in my application materials for full exhibiting membership at Cooperative 213. Fingers crossed — I know there are some very fine artists out there who’d also like to join, and memberships are limited in number.

My latest painting course at Your Home Public Library ended on December 1, and the next one is scheduled to begin on Saturday, March 21. I know there are some who will be happy it’s moved to Saturdays, rather than Mondays, and I’m looking forward to it myself. This last group of students was just terrific — some very strong work came out of it — though I did feel bad for the student who felt she was in over her head, and dropped out. I hope she’ll try again — I’m rewriting my class plan again! (To get a place on the waiting list, contact YHPL.)

I still have my shopping to do (I know, I know) and a gift painting to finish. Oh, and after hosting 18 people for Thanksgiving, sweetie and I will be hosting 12 or so on Christmas day. If only Lydia the kitty doesn’t pull down the tree by then!

Wishing you the best of holidays, and a happy new year.