The Holidays,and my 2015 card

"Solstice"
Solstice — original digital montage, my 2015 Yuletide/Christmas card.

Another year, another Christmas card panic, but this year my solution was different; I’d found an earlier un-executed digital montage I meant for a card a few short years ago, and thought I’d like to use it this year. So I started (way too late, of course!) a painting. It’s coming along well, but I realized I’d never have it done in time to send a photo of it off to Shutterfly in time for Christmas, so I simply played with the original image in Photoshop. So pleased with the way it came out! The cards may be a little late in going out (and what else is new?) but they’ll be lovely, I think. And right, my hand never touched the image — my definition of “art” includes that I must be able to touch it — but it IS original. Enjoy!

However you celebrate, wishing you all lovely winter holidays.

 

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Give the gift of art!

Fiddler, Cutler Gardens
Fiddler, Cutler Gardens, 16×20 in., oil on canvas — one of my artworks for sale at the Members’ Holiday Show, Cooperative Gallery 213

Yes, it’s true — I do sell things from time to time. And what better time than the winter holidays?

Search results for earrings
Some samples of my vintage/new earrings, at both Old Barn Hollow and Cooperative Gallery 213

This year I have earrings and art cards for sale at Old Barn Hollow — my earrings are made from vintage jewelry I pick up at flea markets, antique/junque stores, and yard sales, along with some new parts, and exclusively new earwires in gold- or silver-coated nickel-free brass.  I love making these little sculptural pieces. Because many of the components I use are random vintage, I can’t guarantee what types of stone, metal, ceramic, resin, or glass they may be composed of. I make my best educated guess, and you may do the same.
My art cards are high-quality reproductions of both seasonal and non-seasonal artworks by me, on 5×7″ blank-inside cards. (For more selections and higher quantities, see my Etsy shop. )

And I have more earrings for sale — as well as artwork — at Cooperative Gallery 213. What a wonderland of unique arts and crafts this Members’ Holiday Show is!

Thurs., Dec 3 Gala Opening reception, 6-8 p.m.
Sat., Dec 12     Artist tour with MaryRose, 2 p.m.
Artists will be introduced & are invited to make a statement about their work
Sun., Dec. 13  Holiday Brunch, 11 a.m.-2 p.m.
Sat., Dec. 19   Musical Performance by Doug & Eamonn Hubert, 1 p.m.
Storytime with actress Janet Normile, 2 p.m.

Come paint with me this fall

Exploring Oil Painting with Glenda Blake

Exploring Oil Painting, with Glenda Blake

Mondays, 1-4:00 p.m., October 19-November 16, 2015

$15 one-time fee for supplies, for five 3-hour sessions
Enrollment limited to 10 students.

Explore the fundamentals of oil painting in a casual yet informative setting with artist/instructor Glenda Blake. Together we’ll paint from a still life in the classroom, learning as we go about composition, under-painting, light, shadow, and color mixing. If you’ve always wanted to paint in oils, now is the time! If you have painting experience already, come to learn new techniques and paint with others. If you have a portable standing floor easel you like, please bring it — shorter easels are provided by the instructor. Please wear a work apron, and/or older clothing to paint in.

Classes are on Mondays, October 19-November 16, 2015. Please plan to attend the first session, and all sessions thereafter if possible. Lessons are sequential; each builds on the previous. To sign up, stop by the circulation desk at Your Home Public Library, 107 Main Street, Johnson City, NY.

Call YHPL at 607 797-4816 for sign-up information, or contact me with questions or for information about class content.

The second-floor class space is beautiful, but, due to the historic nature of the building, there is no elevator.

A fine first class in Exploring Oil Painting

Session 1 - Exploring Oil Painting, 7-20-15
Wish I’d photographed the underpaintings later — what a strong showing.

The conditions were not perfect — a scorching hot and humid day, so the blinds were closed, limiting natural light; the window-unit air-conditioner making that low humming noise that makes chat so difficult — but what a strong group I gathered for this rendition of Exploring Oil Painting at Your Home Public Library014 The underpaintings were wonderful, and everyone was so helpful in helping me clean up at the end. There were lots of questions, including a request towards the end for a full critique. I did my best in all of this, and in return got hugs, thanks, and promises to come back next week. I do love teaching this class. It’s so varied in enrollment, and filled with people who really want to learn. I do my best to oblige. Thank you, YHPL, for this teaching opportunity! And thanks to the students, who continue to challenge me, and grant me such rewards.

Paint with me this summer!

ExplOilPainting_graphic4flat

Exploring Oil Painting, with Glenda Blake

Mondays, 1-4:00 p.m., July 20, 27, August 3, 17, 24, 2015

$15 one-time fee for supplies, for five 3-hour sessions
Enrollment limited to 10 students.

IMG_7166 Explore the fundamentals of oil painting in a casual yet informative setting with artist/instructor Glenda Blake. Together we’ll paint from a still life in the classroom, learning as we go about composition, under-painting, light, shadow, and color mixing. If you’ve always wanted to paint in oils, now is the time! If you have painting experience already, come to learn new techniques and paint with others. If you have a portable standing floor easel you like, please bring it — shorter easels are provided by the instructor. Please wear a work apron, and/or older clothing to paint in.

Classes are on Mondays, July 20, 27, August 3, 17, 24, 2015, 1-4:00 p.m. (No class August 10.) Please plan to attend the first session, and all sessions thereafter if possible. Lessons are sequential; each builds on the previous. To sign up, stop by the circulation desk at Your Home Public Library, 107 Main Street, Johnson City, NY.

Call YHPL at 607 797-4816 for sign-up information, or contact me with questions or for information about class content.

The second-floor class space is beautiful, but, due to the historic nature of the building, there is no elevator.

In which “The Body Electric” opens, and I survive

The Body Electric, at Cooperative Gallery 213
The Body Electric, at Cooperative Gallery 213

Yes, I survived. The sleepless nights beforehand, the shaking hands, the matting, the framing, pulling my back at the mat cutter. The transport, the hanging and arranging and re-hanging. The oppressive humidity. The transport and arrangement of the tons of food (with my sweetie, who not only framed my paintings beforehand, but provided first-rate food — which we will be eating for weeks, if not months — for the Thursday night opening reception).

And yes — I survived the publicity, the newspaper profile, the exhibit announcements, the interview for local TV, the praise, the hugs, well-wishes, and compliments from old friends and from family, meeting new admirers, answering the questions, discussions of artistic techniques, the help and support of my co-exhibitor and my other Cooperative Gallery 213 colleagues, and all the other great and nerve-wracking stuff.

And we packed up the remaining food, and cleaned up the gallery, and came home, and I read a glowing write-up of my work in the Triple Cities Carousel, had a couple of glasses of wine with my sweetie, and slept soundly with a profound sense of relief. Tonight is First Friday — the crowds may easily be larger, the action more hectic, but I survived the opening. Thank you to all.

Click in any of the tiled photos below, to switch to a slide show of the painting series. To exit the slide show, click the small X in the upper left corner.

The Body Electric opens July 2 at Cooperative Gallery 213, with London & Beyond

At Last Only Here, oil on canvas, 24 x 36 in.
At Last Only Here, oil on canvas, 24 x 36 in. (© Glenda Blake 2015)

This July, Cooperative Gallery 213, 213 State St. in Binghamton, NY, opens a dual exhibit by Glenda Blake and Chuck Haupt, titled respectively, The Body Electric and London & Beyond. The exhibit runs July 2-25, beginning Thursday, July 2, 6-9 p.m. with a reception, open to the public, at the gallery. The show will also be on display for the First Friday Art Walk from 3- 9 pm. Both artists will talk about their work in a public presentation on Third Thursday, July 16, 7 pm at the gallery.

Glenda Blake is a painter in oils whose realist/impressionist work frequently incorporates dramatically lit dancing figures. The Body Electric, her new work, celebrates the beauty of the human body with a series of nude figures seen from the back and side in dark studio interiors, in ambiguous dance-like postures. The series has its inspiration in the 1855 Walt Whitman poem of the same name, and exhibits a 19th-century-like sensibility.

“I make art to make marks,” Blake says, “and to search those marks for meaning. I make art to reveal to both myself and others the often unnoticed piquancy of the world around us.” She has exhibited her work in juried shows throughout the Northeast and New England. In 2013 she was awarded a grant from the Community Foundation for South Central New York for her ground-breaking series of paintings, “Unlikely Dance.” Visit her website at www.glendablake.com.

Windsor Sentry, © Chuck Haupt
Windsor Sentry, Chuck Haupt

Chuck Haupt is a photographer whose work as a photojournalist graced the Binghamton Press & Sun Bulletin for 30 years. His black and white photography in London & Beyond leads the viewer on a profound visual journey. “Photography freezes moments in time, forever,” he says. “The camera alone does not make the picture; I make it, using my eyes, emotions, and heart.” His website is www.chuckhaupt.com.

Cooperative Gallery 213, a popular stop on the First Friday Art Walk, is located at 213 State Street in Binghamton, and is open on both First Fridays 3-9 p.m. and regularly Fridays 3-6 p.m. and Saturdays 12-4 p.m. Follow the gallery on Facebook at Cooperative Gallery 213; find out more and sign up for the weekly e-newsletter at www.cooperativegallery.com or our Facebook page Cooperative Gallery 213.

Solstice and the holidays coming ’round again

YuleDoor_1000cprt

We’re into the dark and dismal days of winter — particularly grey in my area of New York State — and I’m pining for the light.

Every year I go into conniptions about our Yuletide card — what medium? What subject? — and my sweetie has to remind me that it’s not of earth-shaking importance. This year I really wanted to do a nice holiday still life in oils, but managed to agonize about it for too long (with four separate compositions, none of which was QUITE perfect) and ended up doing this perfectly fine colored pencil piece of our front door.

In the meantime, my cards and earrings are once again for sale at Old Barn Hollow Market, but through missed communications I didn’t make it into Cooperative Gallery 213‘s holiday members’ show. Disappointing, for sure.

OldBarnHollow_cards
GreenBoat Studio holiday cards, available at Old Barn Hollow Market.

However, I have just sent in my application materials for full exhibiting membership at Cooperative 213. Fingers crossed — I know there are some very fine artists out there who’d also like to join, and memberships are limited in number.

My latest painting course at Your Home Public Library ended on December 1, and the next one is scheduled to begin on Saturday, March 21. I know there are some who will be happy it’s moved to Saturdays, rather than Mondays, and I’m looking forward to it myself. This last group of students was just terrific — some very strong work came out of it — though I did feel bad for the student who felt she was in over her head, and dropped out. I hope she’ll try again — I’m rewriting my class plan again! (To get a place on the waiting list, contact YHPL.)

I still have my shopping to do (I know, I know) and a gift painting to finish. Oh, and after hosting 18 people for Thanksgiving, sweetie and I will be hosting 12 or so on Christmas day. If only Lydia the kitty doesn’t pull down the tree by then!

Wishing you the best of holidays, and a happy new year.

Arts festivals, classes, and commissions — oh my!

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Binghamton JulyFest has come and gone once again, and I’m seriously considering skipping it next year. It is So. Hot. It is So. Exhausting. (If they decide to move the “Artists in Action” section back to the shady courthouse lawn, from the brick oven of Washington Street, I’ll look on it more favorably.) It takes me almost a week to recover. It was fun, of course — not party-city with Mary Robertson & family, as I’d expected, but there was good company all around. I spoke to some lovely people, shrugged off the inevitable idiots (“Did you paint all these by hand yourself?”) for the most part, and made some sales — enough to pay for admission and a little more, though nowhere near what I made last year. That may have been partly due to skipping Sunday, however — violent thunderstorms were forecast and Ron Sall, the super-hospitable festival coordinator, told us we were free to go if we felt the need. I felt the need, as did many others. Of course the thunderstorms didn’t materialize until late afternoon. Of course. This coming Saturday is Johnson City Carousel Day.

The class list for my  Introduction to Oil Painting course, at Your Home Public Library in Johnson City, was filled more than a week before the class starts, due partly to the handouts I distributed at JulyFest, and also to the distribution of the class description to the FASST (Fine Arts Society of the Southern Tier) membership, for which I’m mightily grateful — also, I presume, to the Library newsletter, events calendar, postings, and Facebook event.Intro to Oil Painging So looking forward to it (it starts a week from today) and a bit anxious — having to rein myself in so I don’t spend all my earnings on class materials I didn’t think to include in the initial price!

Meanwhile, I’m about ready to start on a commission — a piece ordered through the “Custom Order” function on Etsy. (See my shops at www.greenboat.etsy.com, and www.GreenBoatVintage.etsy.com .) I am so psyched about this painting. It started out vaguely enough, with a request for “a painting of a contra dance,” and I rather expected it to disappear when the client saw pricing and started answering hard questions… but that didn’t happen! She’s made a down-payment, signed a commission contract, and for the most part approved the initial composition sketch — some minor changes forthcoming by request — and I can’t wait to get started painting. It’s a very ambitions composition — will post progressives here and on my artist/designer Facebook page (click “Like Me on Facebook” in the right-hand column) — and a real challenge. You know how I love a challenge!

My eyes are still not working right and it looks like I’ll need to fit in retinal surgery sometime soon — and perhaps vision therapy to re-train my brain — but that will be as it will be. I just need to see better.

On with the show!