Rescheduled! Oil Painting from Altered Photos

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It’s been a long haul, but I’m finally well – my apologies again to those who signed up for my cancelled May-June Broome County Library painting course.

That course – Painting in Oils from Altered Photos – is now rescheduled!

I expect to schedule more courses as well, at both the Broome County and the Johnson City libraries, in the next week or so — if you’re on my email list, keep an eye on your Inbox for further developments. Or you can check the Classes and Workshops page here, at https://glendablake.com/welcome/classes-and-workshops/

(If you’d like to join my email list, you can do that from the same page.)


Painting in Oils from Altered Photographs –
Thursdays, 5-8:00 p.m., September 21 – October 19, 2017

Broome County Public Library

Five 3-hour sessions
Enrollment limited to 10 students.

Learn about composition and oil painting in a fun and informative setting with artist/instructor Glenda Blake. We’ll explore different ways of altering photos to make suitable references for painting, and then paint from the results, learning as we go about composition, under-painting, light, shadow, and color mixing. Students at all levels of experience are welcome. If you have a portable standing-height floor easel you like, feel free to bring it — sitting-height easels are provided by the instructor. Please wear a work apron, and/or older clothing.

You must attend the first session, and all sessions thereafter if possible. Lessons are sequential; each builds on the previous.

To sign up, contact Sherry Kowalski at the Broome County Public Library — 607-778-6451 / skowalski@co.broome.ny.us

Or contact me with questions or for information about class content.

The Library provides painting supplies;  in addition, please bring the following materials to the first session: Materials to bring

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Beethoven Oaks in “Strokes of Genius,” at the Maryland Federation of Art

Unlikely Dance: Beethoven Oaks - 30 x 48 in., oils on canvas
Unlikely Dance: Beethoven Oaks – 30 x 48 in., oils on canvas

Sweetie and I shipped off this 30 x 48 in. painting today, via UPS and bound for the Maryland Federation of Art’s Circle Gallery in Annapolis, Maryland. Sweetie designed and built the 40-pound crate, and it was perfect — made to UPS and Circle Gallery specifications, puncture-proof, and designed to keep the painting from moving or directly contacting the crate. The shipping cost was surprisingly low.

If my hard drive hadn’t gone belly-up a month ago, I could quote from the acceptance email that said how many hundreds of artists submitted work for this show, but it was several hundred and Beethoven Oaks was one of 68 selected, so I’m thrilled. We have friends and family in the DC area, so we’ll make a pleasure trip around the opening reception in November. Funny thing, though — someone sent Sweetie a link to the show’s Call for Artists, to pass on to me… and we can’t remember who it was. Some messenger of the gods…

And while we were at UPS, we met a re-emerging artist, the woman behind the counter in the shipping office, who’d like to take my painting class. You just never know.

A fine first class in Exploring Oil Painting

Session 1 - Exploring Oil Painting, 7-20-15
Wish I’d photographed the underpaintings later — what a strong showing.

The conditions were not perfect — a scorching hot and humid day, so the blinds were closed, limiting natural light; the window-unit air-conditioner making that low humming noise that makes chat so difficult — but what a strong group I gathered for this rendition of Exploring Oil Painting at Your Home Public Library014 The underpaintings were wonderful, and everyone was so helpful in helping me clean up at the end. There were lots of questions, including a request towards the end for a full critique. I did my best in all of this, and in return got hugs, thanks, and promises to come back next week. I do love teaching this class. It’s so varied in enrollment, and filled with people who really want to learn. I do my best to oblige. Thank you, YHPL, for this teaching opportunity! And thanks to the students, who continue to challenge me, and grant me such rewards.

Paint with me this summer!

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Exploring Oil Painting, with Glenda Blake

Mondays, 1-4:00 p.m., July 20, 27, August 3, 17, 24, 2015

$15 one-time fee for supplies, for five 3-hour sessions
Enrollment limited to 10 students.

IMG_7166 Explore the fundamentals of oil painting in a casual yet informative setting with artist/instructor Glenda Blake. Together we’ll paint from a still life in the classroom, learning as we go about composition, under-painting, light, shadow, and color mixing. If you’ve always wanted to paint in oils, now is the time! If you have painting experience already, come to learn new techniques and paint with others. If you have a portable standing floor easel you like, please bring it — shorter easels are provided by the instructor. Please wear a work apron, and/or older clothing to paint in.

Classes are on Mondays, July 20, 27, August 3, 17, 24, 2015, 1-4:00 p.m. (No class August 10.) Please plan to attend the first session, and all sessions thereafter if possible. Lessons are sequential; each builds on the previous. To sign up, stop by the circulation desk at Your Home Public Library, 107 Main Street, Johnson City, NY.

Call YHPL at 607 797-4816 for sign-up information, or contact me with questions or for information about class content.

The second-floor class space is beautiful, but, due to the historic nature of the building, there is no elevator.

In which “The Body Electric” opens, and I survive

The Body Electric, at Cooperative Gallery 213
The Body Electric, at Cooperative Gallery 213

Yes, I survived. The sleepless nights beforehand, the shaking hands, the matting, the framing, pulling my back at the mat cutter. The transport, the hanging and arranging and re-hanging. The oppressive humidity. The transport and arrangement of the tons of food (with my sweetie, who not only framed my paintings beforehand, but provided first-rate food — which we will be eating for weeks, if not months — for the Thursday night opening reception).

And yes — I survived the publicity, the newspaper profile, the exhibit announcements, the interview for local TV, the praise, the hugs, well-wishes, and compliments from old friends and from family, meeting new admirers, answering the questions, discussions of artistic techniques, the help and support of my co-exhibitor and my other Cooperative Gallery 213 colleagues, and all the other great and nerve-wracking stuff.

And we packed up the remaining food, and cleaned up the gallery, and came home, and I read a glowing write-up of my work in the Triple Cities Carousel, had a couple of glasses of wine with my sweetie, and slept soundly with a profound sense of relief. Tonight is First Friday — the crowds may easily be larger, the action more hectic, but I survived the opening. Thank you to all.

Click in any of the tiled photos below, to switch to a slide show of the painting series. To exit the slide show, click the small X in the upper left corner.

The Body Electric opens July 2 at Cooperative Gallery 213, with London & Beyond

At Last Only Here, oil on canvas, 24 x 36 in.
At Last Only Here, oil on canvas, 24 x 36 in. (© Glenda Blake 2015)

This July, Cooperative Gallery 213, 213 State St. in Binghamton, NY, opens a dual exhibit by Glenda Blake and Chuck Haupt, titled respectively, The Body Electric and London & Beyond. The exhibit runs July 2-25, beginning Thursday, July 2, 6-9 p.m. with a reception, open to the public, at the gallery. The show will also be on display for the First Friday Art Walk from 3- 9 pm. Both artists will talk about their work in a public presentation on Third Thursday, July 16, 7 pm at the gallery.

Glenda Blake is a painter in oils whose realist/impressionist work frequently incorporates dramatically lit dancing figures. The Body Electric, her new work, celebrates the beauty of the human body with a series of nude figures seen from the back and side in dark studio interiors, in ambiguous dance-like postures. The series has its inspiration in the 1855 Walt Whitman poem of the same name, and exhibits a 19th-century-like sensibility.

“I make art to make marks,” Blake says, “and to search those marks for meaning. I make art to reveal to both myself and others the often unnoticed piquancy of the world around us.” She has exhibited her work in juried shows throughout the Northeast and New England. In 2013 she was awarded a grant from the Community Foundation for South Central New York for her ground-breaking series of paintings, “Unlikely Dance.” Visit her website at www.glendablake.com.

Windsor Sentry, © Chuck Haupt
Windsor Sentry, Chuck Haupt

Chuck Haupt is a photographer whose work as a photojournalist graced the Binghamton Press & Sun Bulletin for 30 years. His black and white photography in London & Beyond leads the viewer on a profound visual journey. “Photography freezes moments in time, forever,” he says. “The camera alone does not make the picture; I make it, using my eyes, emotions, and heart.” His website is www.chuckhaupt.com.

Cooperative Gallery 213, a popular stop on the First Friday Art Walk, is located at 213 State Street in Binghamton, and is open on both First Fridays 3-9 p.m. and regularly Fridays 3-6 p.m. and Saturdays 12-4 p.m. Follow the gallery on Facebook at Cooperative Gallery 213; find out more and sign up for the weekly e-newsletter at www.cooperativegallery.com or our Facebook page Cooperative Gallery 213.

Cooperative Gallery 213 … and me!

Planning our show at Cooperative Gallery 213
Planning our show at Cooperative Gallery 213 (artwork © Kit Ashman)

I’m working my way slowly and happily into the role of exhibiting member in Cooperative Gallery 213 in Binghamton, NY — though I suppose that volunteering to pull together a compilation of identity standards for the gallery is not exactly slow; it’s quite a process. I’m afraid I’ve already accidentally stepped on some toes with that one, but hope to do a little less crashing about in the future. A cooperative comprises many different voices and opinions. SO looking forward to the beautiful new gallery website, soon to be made public by webmaster/figure painter Ken Weir.

Yesterday I did my first gallery sitting, with experienced member Barbara Bernstein, for the First Friday opening of a wonderful shared show by Karen Fedczuk and Alexandra Davis. Barbara is fine company as well as a fine artist, and she patiently answered all my newbie questions about how to open and close the gallery (banner, lights, food for First Fridays, etc.) and conduct sales. There was a block party outside, as well the normal First Friday jollity, so the joint was jumpin’ already when I left after my 3-6 p.m. sitting shift.

I’ve also already designed an ad for the gallery at the request of the PR committee, and am planning to take in some of my art cards for the Members’ Gallery section.
But most important, for now, are ongoing plans for our dual July show, The Body Electric / London & Beyond, with photographer Chuck Haupt (seen above, during our recent planning meeting)! I’ll be showing my new Les Poseurs series of nudes in oils, as well as some worked-into figure studies in colored pencil. Exciting!

I do love a deadline. How about you?

A fun group show opening, a gallery membership, and a new look

Unfinished underpainting for the first painting in an as-yet untitled series of nudes
Above: Unfinished underpainting for the first painting in an as-yet untitled series of nudes: oil on canvas, 24 x 36 in.

What a breath of fresh air — for me, anyway, and I hope for you: a new design for my website! It’s still not fully functional with all the capabilities of the new template, but it’s at least as functional as the last. All things in good time.

Cooperative Gallery 213, 213 State St., Binghamton NY
Cooperative Gallery 213, 213 State St., Binghamton NY

This week I got some good news, following my application and interview for exhibiting (full) membership at Cooperative Gallery 213 in Binghamton: I was accepted! I am SO looking forward to working with this group of serious and highly skilled artists to show our work in the heart of the Binghamton Arts District. Also eager to get involved in some of the public arts projects connected to the gallery, with friends old and new who are already members.

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My pieces in Members Only: clockwise from left, Unlikely Dance: Beethoven Oaks, Melusina. and The Grove
Still life by Linda Ciallelo
This wonderful still life by Linda Ciallelo is in the Windsor Whip Works members’ show. © 2015, Linda Ciallelo. Used with permission.

Last night, Sweetie and I went to the opening reception of the Members Only group show at Windsor Whip Works Art Center. It’s an unjuried show, so the quality varies widely, but there’s some stunning work there. (The show runs through March 1.) And it was a fun party — a full house, shoulder-to-shoulder, a really nice refreshment spread, and a really fun bunch of people, several of whom are my new colleagues at Cooperative 213.

So while a forecast major snow storm envelopes us over the next couple of days, I’ll be getting further into the first of a new series of paintings — top of this page — so far untitled. Looks like this will be a satisfyingly productive year for me; hope it is for you as well!

Completed Unlikely Dance series premieres at the Broome County Arts Council

Unlikely Dance at BCAC
Unlikely Dance, hung in the small gallery at the Broome County Arts Council

In the days leading up to it, I wasn’t sure I could pull it off, either artistically or socially. I had six large paintings to show for a year and a half of work, but they seemed dwarfed by even the smaller gallery at the Broome County Arts Council. Due to personnel changes at the BCAC I was hanging the show myself, but suddenly felt unequal to the task. Earlier there had been scheduling and communications misunderstandings. And I’m not good at schmoozing. In short, I succeeded in making myself crazy-anxious about November First Friday’s BCAC opening night of Unlikely Dance.

But now November 1 has come and gone, and the opening came off beautifully — well attended despite the many other Binghamton First Friday events happening all over town, fun, and yes, I believe I was reasonably socially adept. There were old friends, newer friends, Facebook followers, family members, the director of the funding foundation, and some simply interested people I’d never met before; there were dancers who’d been my models, dancers who knew my models, a high school friend/classmate I hadn’t seen since then, models I’ve drawn at the Windsor figure drawing sessions, supportive artist friends, and my GP doc.

Ballyclare dancers at the opening
Several of the Ballyclare Irish Dancers showed up, and wanted a photo with “their” painting. Photo courtesy of Sharon Ball / BCAC
My husband Leo heeded my call for chips and salsa and showed up in the nick of time to save the day, keeping the food table from going bare (those incredible cookies from the Gallaghers went REALLY fast!).

That morning I’d managed to edit and upload high-res photos of each of the paintings so they were available as prints and cards on my Fine Art America site, and then to put together a handout flyer about myself and the grant, including a hard-copy order form for people not comfortable with shopping online. (I encourage you to order directly from Fine Art America.)

At the suggestion of BCAC director Sharon Ball, I’d matted, framed, and hung some studies for the paintings, and they not only filled out the space but seemed to truly interest onlookers, and sparked a lot of conversation. In fact, one of the small studies is already sold — to a morris dance and Facebook friend who’s been a great support throughout this process. And he made sure to tell me EXACTLY what he liked about each painting. In fact, I was surprised and pleased by the number of people who felt compelled to lead me to their favorite pieces and tell me just what they liked about them. I have always avoided the artists at solo openings — not sure why, but I think I’m afraid I’ll over-participate, or talk about myself rather than their shows — but from now on I’ll try not to draw back like that. I love talking about my work, and I must assume other artists do too.

And did I mention the ego/approval rush of the whole thing? And the ribbon-tied garlic bouquet? And the date-night out afterwards with my sweetie? Yeah, those were really good too.

Next up: two or three new, smaller dance paintings — the start of a new, unfunded series on a recent English Country dance — to round out my December show at RiverRead Books. Then, in January, Unlikely Dance moves on to Ithaca, and from there to the Community Foundation for South Central New York.
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The “Unlikely Dance” project was made possible by a grant from the Artists Fund of the Community Foundation for South Central New York, facilitated by the Broome County Arts Council.