Wow — I won the People’s Choice Award at Binghamton’s Rude and Bold Women show last week! It was a strong and beautiful show, and I’m so honored. My artist-friend and sometime painting student Rae Doyle-Freeman was a runner-up with her powerful sculptural papier-mâché piece, “On Her Aching Bones, Did Empires Rise.”
The People’s Choice is the only award of the show, determined by votes cast by attendees.
The Tuesday before, I got up at ugly-o’clock in the morning to board a 6:10 a.m. Megabus to NYC with artist-friend Harriet and her friend Jo from farther upstate (also an artist), to see Sargent: Portraits of Artists and Friends at the Metropolitan Museum of Art. Fabulous time — took the bus four hours to the Port Authority bus terminal, and then we took more than an hour to to get to the MMA on foot and by city bus, but what a stunner of a show. I knew many of the works from books — had seen one or two in person before — but there is NOTHING like coming face to face with the actual piece.
Gradually we took in and discussed, piece by piece, most of the show (gathering a small, attentive audience as we moved along!), took a lunch break when we were exhausted, then — like kids back to the pool — went back for more Sargent. Harriet and I lost Jo in the Post-Impressionist galleries, but I was glad to be forced through them in our search for her. I could live in the MMA. Another long trip back to another long bus-ride… so-o-o tired! But so worth it to experience great art, especially with friends who experience it in the same way.
The week before that, after seeing my painting, In His Limbs and Joints, installed in my cousin’s lovely home in Annapolis (such a thrill to see it hanging in their amazing art collection!) I got a look at the show, Gustave Caillebotte: The Painter’s Eye, at the National Gallery of Art, while sweetie and I were in the DC area. Caillebotte wasn’t a name I was familiar with — he was contemporary with Degas, and although more conservative, was equally experimental in his less flamboyant way — but I did know some of the work. And it was sublime. I’m slowly working my way through the show catalog, which we bought on the way out. (I neglected to obtain the Sargent catalog — the photography was such a disappointment after seeing all of the actual pieces — but I hope to soon.)