The conditions were not perfect — a scorching hot and humid day, so the blinds were closed, limiting natural light; the window-unit air-conditioner making that low humming noise that makes chat so difficult — but what a strong group I gathered for this rendition of Exploring Oil Painting at Your Home Public Library. The underpaintings were wonderful, and everyone was so helpful in helping me clean up at the end. There were lots of questions, including a request towards the end for a full critique. I did my best in all of this, and in return got hugs, thanks, and promises to come back next week. I do love teaching this class. It’s so varied in enrollment, and filled with people who really want to learn. I do my best to oblige. Thank you, YHPL, for this teaching opportunity! And thanks to the students, who continue to challenge me, and grant me such rewards.
Exploring Oil Painting, with Glenda Blake
Mondays, 1-4:00 p.m., July 20, 27, August 3, 17, 24, 2015
$15 one-time fee for supplies, for five 3-hour sessions
Enrollment limited to 10 students.
Explore the fundamentals of oil painting in a casual yet informative setting with artist/instructor Glenda Blake. Together we’ll paint from a still life in the classroom, learning as we go about composition, under-painting, light, shadow, and color mixing. If you’ve always wanted to paint in oils, now is the time! If you have painting experience already, come to learn new techniques and paint with others. If you have a portable standing floor easel you like, please bring it — shorter easels are provided by the instructor. Please wear a work apron, and/or older clothing to paint in.
Classes are on Mondays, July 20, 27, August 3, 17, 24, 2015, 1-4:00 p.m. (No class August 10.) Please plan to attend the first session, and all sessions thereafter if possible. Lessons are sequential; each builds on the previous. To sign up, stop by the circulation desk at Your Home Public Library, 107 Main Street, Johnson City, NY.
Call YHPL at 607 797-4816 for sign-up information, or contact me with questions or for information about class content.
The second-floor class space is beautiful, but, due to the historic nature of the building, there is no elevator.
Yes, I survived. The sleepless nights beforehand, the shaking hands, the matting, the framing, pulling my back at the mat cutter. The transport, the hanging and arranging and re-hanging. The oppressive humidity. The transport and arrangement of the tons of food (with my sweetie, who not only framed my paintings beforehand, but provided first-rate food — which we will be eating for weeks, if not months — for the Thursday night opening reception).
And yes — I survived the publicity, the newspaper profile, the exhibit announcements, the interview for local TV, the praise, the hugs, well-wishes, and compliments from old friends and from family, meeting new admirers, answering the questions, discussions of artistic techniques, the help and support of my co-exhibitor and my other Cooperative Gallery 213 colleagues, and all the other great and nerve-wracking stuff.
And we packed up the remaining food, and cleaned up the gallery, and came home, and I read a glowing write-up of my work in the Triple Cities Carousel, had a couple of glasses of wine with my sweetie, and slept soundly with a profound sense of relief. Tonight is First Friday — the crowds may easily be larger, the action more hectic, but I survived the opening. Thank you to all.
Click in any of the tiled photos below, to switch to a slide show of the painting series. To exit the slide show, click the small X in the upper left corner.
This July, Cooperative Gallery 213, 213 State St. in Binghamton, NY, opens a dual exhibit by Glenda Blake and Chuck Haupt, titled respectively, The Body Electric and London & Beyond. The exhibit runs July 2-25, beginning Thursday, July 2, 6-9 p.m. with a reception, open to the public, at the gallery. The show will also be on display for the First Friday Art Walk from 3- 9 pm. Both artists will talk about their work in a public presentation on Third Thursday, July 16, 7 pm at the gallery.
Glenda Blake is a painter in oils whose realist/impressionist work frequently incorporates dramatically lit dancing figures. The Body Electric, her new work, celebrates the beauty of the human body with a series of nude figures seen from the back and side in dark studio interiors, in ambiguous dance-like postures. The series has its inspiration in the 1855 Walt Whitman poem of the same name, and exhibits a 19th-century-like sensibility.
“I make art to make marks,” Blake says, “and to search those marks for meaning. I make art to reveal to both myself and others the often unnoticed piquancy of the world around us.” She has exhibited her work in juried shows throughout the Northeast and New England. In 2013 she was awarded a grant from the Community Foundation for South Central New York for her ground-breaking series of paintings, “Unlikely Dance.” Visit her website at www.glendablake.com.
Chuck Haupt is a photographer whose work as a photojournalist graced the Binghamton Press & Sun Bulletin for 30 years. His black and white photography in London & Beyond leads the viewer on a profound visual journey. “Photography freezes moments in time, forever,” he says. “The camera alone does not make the picture; I make it, using my eyes, emotions, and heart.” His website is www.chuckhaupt.com.
Cooperative Gallery 213, a popular stop on the First Friday Art Walk, is located at 213 State Street in Binghamton, and is open on both First Fridays 3-9 p.m. and regularly Fridays 3-6 p.m. and Saturdays 12-4 p.m. Follow the gallery on Facebook at Cooperative Gallery 213; find out more and sign up for the weekly e-newsletter at www.cooperativegallery.com or our Facebook page Cooperative Gallery 213.
What a breath of fresh air — for me, anyway, and I hope for you: a new design for my website! It’s still not fully functional with all the capabilities of the new template, but it’s at least as functional as the last. All things in good time.
This week I got some good news, following my application and interview for exhibiting (full) membership at Cooperative Gallery 213 in Binghamton: I was accepted! I am SO looking forward to working with this group of serious and highly skilled artists to show our work in the heart of the Binghamton Arts District. Also eager to get involved in some of the public arts projects connected to the gallery, with friends old and new who are already members.
Last night, Sweetie and I went to the opening reception of the Members Only group show at Windsor Whip Works Art Center. It’s an unjuried show, so the quality varies widely, but there’s some stunning work there. (The show runs through March 1.) And it was a fun party — a full house, shoulder-to-shoulder, a really nice refreshment spread, and a really fun bunch of people, several of whom are my new colleagues at Cooperative 213.
So while a forecast major snow storm envelopes us over the next couple of days, I’ll be getting further into the first of a new series of paintings — top of this page — so far untitled. Looks like this will be a satisfyingly productive year for me; hope it is for you as well!
We’re into the dark and dismal days of winter — particularly grey in my area of New York State — and I’m pining for the light.
Every year I go into conniptions about our Yuletide card — what medium? What subject? — and my sweetie has to remind me that it’s not of earth-shaking importance. This year I really wanted to do a nice holiday still life in oils, but managed to agonize about it for too long (with four separate compositions, none of which was QUITE perfect) and ended up doing this perfectly fine colored pencil piece of our front door.
In the meantime, my cards and earrings are once again for sale at Old Barn Hollow Market, but through missed communications I didn’t make it into Cooperative Gallery 213‘s holiday members’ show. Disappointing, for sure.
However, I have just sent in my application materials for full exhibiting membership at Cooperative 213. Fingers crossed — I know there are some very fine artists out there who’d also like to join, and memberships are limited in number.
My latest painting course at Your Home Public Library ended on December 1, and the next one is scheduled to begin on Saturday, March 21. I know there are some who will be happy it’s moved to Saturdays, rather than Mondays, and I’m looking forward to it myself. This last group of students was just terrific — some very strong work came out of it — though I did feel bad for the student who felt she was in over her head, and dropped out. I hope she’ll try again — I’m rewriting my class plan again! (To get a place on the waiting list, contact YHPL.)
I still have my shopping to do (I know, I know) and a gift painting to finish. Oh, and after hosting 18 people for Thanksgiving, sweetie and I will be hosting 12 or so on Christmas day. If only Lydia the kitty doesn’t pull down the tree by then!
Wishing you the best of holidays, and a happy new year.
It’s been a couple of years since I last showed at the Lost Dog Cafe in Binghamton, NY. Although it’s awkward for people to look at the art when there are diners at the tables (and there are always diners at the tables in the Lost Dog!), it’s a lovely space, with three distinct exhibit areas, each with a nice hanging system. So this morning I parked my car full of art in front of their door, hauled my goods in, and set to work. This is the last time I’ll exhibit my Unlikely Dance series for a while, I think. But it looks wonderful in the Lost Dog space, as I knew it would, along with a couple of studies for the series and two new dance-themed pieces — The Grove and Three Musicians.
This First Friday night I’ll be in the Lost Dog Lounge holding forth at Meet the Artist (or so I imagine; this will be my very first Meet experience). And this month I’ll have a good excuse to have lunch and perhaps a dinner at the Dog — yummy!
I also have a few pieces in a November group show with the Fine Arts Society of the Southern Tier, at the Krembs Gallery, UHS/Binghamton General Hospital, not shown here.
Exploring Oil Painting
Mondays, November 3 through December 1
Explore the fundamentals of oil painting in a fun and casual setting with artist/instructor Glenda Blake. Together we’ll paint from a still life in the classroom, learning as we go about composition, underpainting, light, shadow, and color. If you’ve always wanted to paint in oils, now is the time! If you have painting experience already, come to learn new techniques and gain confidence – there’s always something more to learn! Please bring a portable floor easel if you have one (available on loan from the instructor, if you don’t) and a work apron, and/or wear older clothing to paint in. Classes will be held 5 Mondays, 1-4:00 p.m., November 3 through December 1. There is a limit of 10 students per class. A one-time $15 fee is required to cover supplies. To sign up, stop by the circulation desk at Your Home Public Library, 107 Main Street, Johnson City, NY.
I love teaching this class — please join us if you can!
Well, hot-diggety — my artwork and my endorsement are featured in the new 2014-2015 annual Blick Studio catalog! One of my other pieces was shown, without endorsement, in the Spring 2014 catalog supplement — not too shabby either — but this one’s quite a thrill. Featured is Unlikely Dance: Golden Clouds (30 x 48 in., oil on canvas), and yes, it WAS painted with Blick Oil Colors. I’ve always loved Blick — have dealt with them both personally and professionally for nearly forty years — but now more than ever! Looking forward to receiving it in the mail. (You can request one for yourself, here.)