I still haven’t figured out how to show a progressing project with alerts to my followers, so I’m continuing to post progressives on my professional Facebook page. But here’s the whole progression (below) of the first of my “Watchers” series. I’m pretty happy with the way it’s turned out, and I’ve submitted it for the Arnot Regional.
So, what is a Watcher? It’s a concept I picked up somewhere in my youthful reading — Watchers were pagan religious symbols, or figurines, or minor deities, ensconced or trapped in tree trunks along hidden paths. The idea took root in my mind, and when in middle age I lived in the back hills of northern Pennsylvania, there were a couple of standing tree stumps along the road that I mentally christened “the Watchers” — they seemed alert, attentive. Statuary sometimes strikes me that way, especially in incongruous or unexpected settings. And then I ran across a mannequin head in an Etsy shop that triggered the “Watcher” alert in me. With permission from the generous shop owner, I’ve commenced a series of paintings based on her mannequin (this one), as well as more statuary, mannequins, and other humanoid objects as they dispassionately observe the impending disasters of our world. There is something in them that is positive — not hopeful, not despairing — but also not clinging, and open to whatever comes.
I don’t normally explain my work and motivation like this, but this piece comes from deep within me. And that I can’t explain. I can only let whatever is in me manifest itself in my work, with little or no conscious input from me. As I tell my painting students, don’t put any effort into expressing yourself or your emotions — that will happen despite your best efforts, and it’ll be more genuine if you just let it happen while you’re concentrating on other things. After so many years as a rational planner and designer of publications, I myself find this a hard lesson.
Click in any of the tiled photos below, to switch to a slide show of progressives. To exit the slide show, click the small X in the upper left corner.