In the days leading up to it, I wasn’t sure I could pull it off, either artistically or socially. I had six large paintings to show for a year and a half of work, but they seemed dwarfed by even the smaller gallery at the Broome County Arts Council. Due to personnel changes at the BCAC I was hanging the show myself, but suddenly felt unequal to the task. Earlier there had been scheduling and communications misunderstandings. And I’m not good at schmoozing. In short, I succeeded in making myself crazy-anxious about November First Friday’s BCAC opening night of Unlikely Dance.
But now November 1 has come and gone, and the opening came off beautifully — well attended despite the many other Binghamton First Friday events happening all over town, fun, and yes, I believe I was reasonably socially adept. There were old friends, newer friends, Facebook followers, family members, the director of the funding foundation, and some simply interested people I’d never met before; there were dancers who’d been my models, dancers who knew my models, a high school friend/classmate I hadn’t seen since then, models I’ve drawn at the Windsor figure drawing sessions, supportive artist friends, and my GP doc. My husband Leo heeded my call for chips and salsa and showed up in the nick of time to save the day, keeping the food table from going bare (those incredible cookies from the Gallaghers went REALLY fast!).
That morning I’d managed to edit and upload high-res photos of each of the paintings so they were available as prints and cards on my Fine Art America site, and then to put together a handout flyer about myself and the grant, including a hard-copy order form for people not comfortable with shopping online. (I encourage you to order directly from Fine Art America.)
At the suggestion of BCAC director Sharon Ball, I’d matted, framed, and hung some studies for the paintings, and they not only filled out the space but seemed to truly interest onlookers, and sparked a lot of conversation. In fact, one of the small studies is already sold — to a morris dance and Facebook friend who’s been a great support throughout this process. And he made sure to tell me EXACTLY what he liked about each painting. In fact, I was surprised and pleased by the number of people who felt compelled to lead me to their favorite pieces and tell me just what they liked about them. I have always avoided the artists at solo openings — not sure why, but I think I’m afraid I’ll over-participate, or talk about myself rather than their shows — but from now on I’ll try not to draw back like that. I love talking about my work, and I must assume other artists do too.
And did I mention the ego/approval rush of the whole thing? And the ribbon-tied garlic bouquet? And the date-night out afterwards with my sweetie? Yeah, those were really good too.
Next up: two or three new, smaller dance paintings — the start of a new, unfunded series on a recent English Country dance — to round out my December show at RiverRead Books. Then, in January, Unlikely Dance moves on to Ithaca, and from there to the Community Foundation for South Central New York.
The “Unlikely Dance” project was made possible by a grant from the Artists Fund of the Community Foundation for South Central New York, facilitated by the Broome County Arts Council.