It was supposed to be a three-day project, for the still life exhibit in Johnson City. Instead, Blue Glass and Teapots took five weeks. Or was it six? But it was worth it, I think. Whatever possessed me to think it was a simple still life?
It features two of my teapot collection, a favorite glass vase of my husband’s, and a long-lived houseplant, in our sun-filled family room, on one of my vintage tablecloths. The nested spoons were left in my car by my friend Judy, after our trip to Philadelphia (they’ve since been returned). Sunny, warm, and convivial is the feeling I was after. Though I’ve published some of the progress in an earlier post, I’m showing the whole progression here.
I used a lot of semi-transparent and transparent glazes in this piece, as opposed to solid, opaque colors, due largely to the larger proportion of Liquin dryer I used in my medium, and I think that helped with the luminosity of the piece.