After spending most of my professional life in the discipline of publication deadlines, as a freelance artist and designer I still find deadlines my most effective motivation, such as scheduled shows and exhibits and this FASST demo on Monday.
So here’s what I got into yesterday. Some literature on colored pencil says to work light to dark. I haven’t found that method altogether successful — in my experience, different colors work with one another differently, regardless of shade or tint. All are translucent; some, like white , are more opaque; some make a drier mark and are easy to work over, like the indigo blue I used first to render the goddess figure; and some are slicker and less easy to cover… like the yellow I laid down first for the owl figure. I’m afraid a lot of the darks and midtones in the plumage will have to wait until I apply the first coat of workable fixatif, restoring the grab of the surface. Before that happens, I plan to get the tree started, over the laid-in sky shapes, and then proceed to work the sky between the branches so the tree is integral to the piece rather than laid over it.