Early this afternoon I was interviewed in my studio by a nice young woman from the local Fox News affiliate. I know, right? Fox?? But the local broadcast is okay, and who was I to refuse publicity for me and my work?
It all came about because the director of the Community Foundation of South Central New York invited me to show my work in their conference room gallery (we’d talked about it casually since last fall) mid-March through mid-May, in time for their press conference this morning announcing their new Artist Fund grants. When Fox asked her to recommend a local artist they could talk to, she suggested me… as, apparently, did the director of the Broome County Arts Council, co-sponsor of the grant program. So I guess I’m the poster child for the grant — I’ll be shown in the Foundation’s Annual Report as well. Exciting!
They called around 10:15 in the morning — right before my dentist appointment — and wanted to come right over to interview me in my studio. I demurred, citing dental work, so we settled on 1:00 p.m., the latest they could do before deadline. Luckily Dr. Hogan was on schedule and quick, so I had a little time afterwards to straighten up the studio, leaving a few messes here and there so it didn’t look artificially neat.
I’ve been negligent about photography, lately — just not thinking about the iPhone camera in my pocket — and I didn’t get shots yesterday of my show at the Foundation, or today of the TV reporter/camera-person in my studio. The report’s on at 6 and 10 tonight. ([link is now dead] I don’t know what that chubby old woman with my voice was doing in my studio… oh, wait…) Naturally I’m not quite happy with the editing — wish they’d included some of what I said about the vibrant arts community in Binghamton — and that I hadn’t left my new, experimental set of gouache paints out on the drawing table. But really, not too bad.
In the meantime, I took a bunch of photos afterwards of my studio/office as seen by the TV camera, for those who are curious; the painting on the easel — on which I faked working, for the camera — is an already-finished piece called “Whole Hey: Morris 4.”